Nellie Verne Walker, “Working Model for Chief Keokuk,” Painted Plaster, 1913


Photograph of a standing sculpted male figure.

This brown-painted sculpture is an artistic representation of Keokuk, an American Indian male. He is dressed in a loincloth and a full headdress, which extends to the middle of his back. He wears moccasins on his feet; the tops are folded down. The figure wears a necklace of teeth or claws on his bare chest and looks straight ahead. He holds a blanket or robe over his left shoulder. It is trapped in the crook of his bent arm, and drapes down on the left side; its back corner brushes the ground. Keokuk holds a long pipe in his right hand. The bowl is cupped in his hand, and the stem of the pipe rests on his shoulder. He stands with most of his weight on his left foot. His right foot is further back and he is beginning to put weight on the ball of the foot as though stepping.

This was a working model for the monument to Chief Keokuk in Rand Park, Keokuk, Iowa. This is Walker’s best-known work. Keokuk (1767-1848) was a Sauk leader who wanted to remain on traditional lands, yet was opposed to joining and fighting with Black Hawk.

37 x 9 3/4 x 9 1/2″

(1874-1973)

Nellie Verne Walker was born in Red Oak, Iowa. Her father sold real estate and carved tombstones. At age seventeen, Walker had a statue of Abraham Lincoln featured in the Iowa Building at the Columbian Exposition in Chicago in 1893. At that time, she could not afford to study art. She returned to Iowa and worked as a secretary until 1900 when she had saved up enough money. Then, she enrolled at the Art Institute and studied with Lorado Taft. She was a member of the group of students who worked out of Taft’s Midway Studio.

Walker has work in Chicago, Iowa, Wisconsin, and Colorado. Her statue of James Harlan (Iowa senator, and Secretary of the Interior under Andrew Johnson) was in Statuary Hall, Washington D.C. until 2014 when it was moved to Iowa Wesleyan University.